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COMMENT: You might be wondering why I decided to go for "Freeform Dublin" as opposed to "Freeform Bell', since the pipe does look more like a Bell than a Dublin, considering the pronounced difference in diameter between the bowl top and base. Well, I consider the "Bell" to be a kind of Freeform Dublin, since, as such, the Bell is not a recognized, classic shape, and so I thought it would be more accurate to stick to the Dublin as the basic shape. Of course, Baldo added a few special touches that make the pipe as unique as a Freehand. First of all, the beautifully rounded, tapered bowl is complemented by a tapered, SQUARE shank, and later, a mouthpiece of the same shape. Baldo, I think, did an absolutely wonderful job with the shaping of the part of the pipe where the bowl and shank meet. The edges are so well defined, without compromising the fluid, smooth transition from the bowl to the shank (or from the shank to the bowl, if you so prefer). The handcut Cumberland mouthpiece is fabulous, and I see it as an integral part of the overall shape design. Another very elegant touch is the shape of the bowl top, and to see exactly what I mean you need to examine the first picture, from left, in the second row. As you can see, the bowl is not round at the top; the part overlooking the shank is slightly pointed, and the top, in general, is convex. The grain is a beautiful, BEAUTIFUL combination of Flame Grain and incredible Bird's Eye. The grain on the shank is surprisingly almost identical to the grain on and around the bowl, with Flame Grain on the sides, and Bird's Eye on the shank top and base. Due to the flat base of the entire pipe, it can rest on a flat surface with no support. |
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