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COMMENT: This is one of those times when I just can't feel happy with my shape definition, and yet, I can't come up with a better one. Having said that, I believe that the Apple is indeed the closest one to what I see here. It's kind of a squatted Apple, an Apple with the top chopped off a little. The pipe, however, has so much more to offer, and there are many reason why it is so distinctive and unique. Of course, the most evident of the special features is the extra long and WHITE, tapered mouthpiece. I tend to be rather conservative when it comes of a mouthpiece of a color other than black or Cumberland. However, I have to admit that I have a soft spot for white when it is used with the right shape and finish. You might at first think the mouthpiece is made out of Bakelite, but it's white acrylic. What makes the bowl even more unique than the mouthpiece is the incredible grain. The grain is absolutely fabulous, especially at the right-hand side (see the second photo from left, first row). The grain is so fine and tight it comes pretty close to the rare Italian term "capelli d'angelo" (angel's hairs) which is used to describe the best of regular, fine, and tight grain. The shank is flat and it flows beautifully from the bowl onto the shank. Baldo, as always, did a magnificent job shaping the joint between the bowl and the shank, which is known to be one of the hardest things to get right, particularly when you have a round bowl and a flat shank. While the pipe overall seems compact, the tobacco chamber is easily comparable in size to that of a Dunhill Group 5. |
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